Keeping it Real: New English Art, 1920 - 2020
Overview
Carel Weight The River Arun Oil on board 31.5 x 40.5 cms (12.40 x 15.94 ins)
Carel Weight
The River Arun
Oil on board
31.5 x 40.5 cms (12.40 x 15.94 ins)

ART EXHIBITION OPEN:


Thursday 8 October, 2pm to 4pm

and

Wednesday 14 October, 10am to 12 noon

 

Eight great British Painters who, refusing the turn to the abstract and the esoteric in the wake of post-impressionism, stayed with figurative realism as the best way to communicate their deep affection for people and places.

 

This exhibition features the work of Augustus John, Laura Knight, Ruskin Spear, Carel Weight, William Bowyer, Peter Kuhfeld, Ken Howard and Peter Brown.

 

Each was to have significant interaction with the New English Art Club. Spear, Bowyer and Brown were presidents of the club. John and Kuhfeld were elected members. Laura Knight exhibited there, being powerfully influenced by her fellow Newlyn artists so many of whom were central in the emergence of NEAC. Carel Weight was never formally a member but was nevertheless close friends with Spear and instrumental in teaching William Bowyer at the RCA.

 

A particular highlight is the introduction of a major new acquisition: Ruskin Spear's Public House, a masterpiece of post war social realism. The exhibition also retrieves some old favourites not exhibited at Champs Hill in the past five years.

 

Works
Press release

Eight great British Painters who, refusing the turn to the abstract and the esoteric in the wake of post-impressionism, stayed with figurative realism as the best way to communicate their deep affection for people and places.

 

This exhibition features the work of Augustus John, Laura Knight, Ruskin Spear, Carel Weight, William Bowyer, Peter Kuhfeld, Ken Howard and Peter Brown. 

 

Each was to have significant interaction with the New English Art Club. Spear, Bowyer and Brown were presidents of the club.  John and Kuhfeld were elected members.  Laura Knight exhibited there, being powerfully influenced by her fellow Newlyn artists so many of whom were central in the emergence of NEAC.  Carel Weight was never formally a member but was nevertheless close friends with Spear and instrumental in teaching William Bowyer at the RCA.

 

A particular highlight is the introduction of a major new acquisition: Ruskin Spear's Public House, a masterpiece of post war social realism.  The exhibition also retrieves some old favourites not exhibited at Champs Hill in the past five years.

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