Walter Langley English, 1852-1922

Overview
Considered one of the most representative Newlyn School artists and, alongside Stanhope Forbes, to have been the most consistent in style and substantial in output. Although one of the first to settle in the Newlyn artists' colony Newlyn School, Langley initially benefited little from its growing fame, partly because of his working-class origins and partly because until 1892 he painted largely in watercolour rather than the more prestigious medium of oils. His early training in lithography gives his paintings a detail and texture that show his technical skills. 
 

Born in Birmingham where his father was a journeyman tailor. At 15 he was apprenticed to a lithographer. At 21 he won a scholarship to South Kensington and he studied designing there for two years. He returned to Birmingham but took up painting full-time, and in 1881 was elected an Associate of the Royal Birmingham Society of Artists (RBSA). In the same year he was offered £500 for a year's work by the Birmingham-based photographer Robert White Thrupp (1821–1907). With this money he and his family moved to Newlyn where he was one of the first artists to settle and began recording the life of the fishing community.

Works
  • Walter Langley, The Fish Wife
    The Fish Wife
  • Walter Langley, At Polperro, Cornwall
    At Polperro, Cornwall
  • Walter Langley, An Old Fisherman
    An Old Fisherman
  • Walter Langley, Best in Market, 1881
    Best in Market, 1881
  • Walter Langley, The Old Pilot, 1891
    The Old Pilot, 1891
  • Walter Langley, Old Grace, 1894
    Old Grace, 1894
  • Walter Langley, Motherless, 1895
    Motherless, 1895
  • Walter Langley, Newlyn Fishwives, 1896
    Newlyn Fishwives, 1896
  • Walter Langley, Breadwinners, 1896
    Breadwinners, 1896
  • Walter Langley, Waiting the Return of the Fleet, 1903
    Waiting the Return of the Fleet, 1903
  • Walter Langley, Cornish Maiden, 1905
    Cornish Maiden, 1905
  • Walter Langley, A Flemish Peasant, 1907
    A Flemish Peasant, 1907
Exhibitions